From the Music Genome Project: The Anatomy of A Scary Soundtrack
by Steve Hogan on
It’s a familiar scene: lights low, popcorn in hand, you hear something; your heart begins to race, your brow sweats, you grip into the armrest of the plush theater seat. The knife-wielding psychopath finally bursts into the scene, accompanied by a dissonant musical crescendo.
While most film composers probably do not have a clinical understanding of the human brain, the great ones have figured out how to manipulate our most primitive fight or flight responses. Paired with just the right visuals certain sounds and pitch combinations can involuntarily cause us to experience physical reactions that one would expect in moments of real life stress. In the spirit of Halloween, we thought we’d take a look at some of the musical devices that are used in scary movies to elicit the fear response.
Mastering the art of suspense is the first key to creating a scary soundtrack. When used in the right context, music can create a psychological state of dread and set the listener up for the inevitable startle effect. Avoiding melody altogether, instead relying on long tones or using short, repetitive melodic fragments can lead the listener to feel anxious. John Williams‘ theme to Jaws, with its famous two note motif is a perfect example, as is the theme to the Halloween films, which features a looping, ten note pattern that keeps listeners in a state of anticipation. (A little horror movie trivia: John Carpenter, who directed the Halloween movies, also wrote the theme)
In our Comedy Genome, the categories of genes I find most interesting are the ones that characterize the “Comic Hook” of a particular track. These genes try to answer the question, “What’s funny about this?” We don’t have an objective measure of funniness; a joke that you find hilarious and insightful, another person may find dull and offensive. But what we try to do is keep track of some of the most common devices comedians use in pursuit of a laugh. 