Resonance: Weekly Curator Picks

Resonance

Bjork comes to terms with heartache on her deepest cut to date.

Screen Shot 2015-02-05 at 1.26.19 PMOn her latest single, the Icelandic chanteuse details the breakdown of her relationship. “Stonemilker” is a beautiful, gut wrenching, torturous requiem that nearly clocks in at seven minutes in length. The former Sugarcubes singer delivers a personal confessional that we can find solace and comfort in.

 

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CURATOR’S CHOICE

Big booming drums and swirling synths transform lush, radio-ready modern pop into something more adventurous.

Screen Shot 2015-02-05 at 1.29.37 PMDella Memoria’s Beautiful Dream is haunting, hushed, bombastic and dramatic. Emily Sholes’s gorgeous vocals glide from throaty croon to swoon-inducing soar over a moody, sometimes experimental backdrop of raucous rhythms, pulsing churn and ethereal balladry. For fans of Lorde, Phantogram.

 

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A pioneer of electronic music, Aphex Twin breaks out sparse jazzy beats.

Screen Shot 2015-02-05 at 1.35.03 PMAfter years of sparse releases, we get two in five months! The title hints at what’s inside. While Computer Controlled Acoustic Instruments Pt. 2 is reminiscent of the meditative tracks from Drukqs, what really stands out here is Alarm Will Sound’s excellent 2005 acoustic take on Aphex Twin.

 

 


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Resonance: Weekly Curator Picks

Resonance

It’s a rare EDM album that succeeds as a full-length, but Above & Beyond broke the mold.

Screen Shot 2015-01-29 at 10.24.46 PM

The trance trio’s experience producing and DJing for over a decade is evident on We Are All We Need. Swooshing synths intertwine with emotional pop vocals, creating an uplifting EDM experience touching on progressive house and chillstep, while remaining firmly rooted in trance.

 

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CURATOR’S CHOICE

London dream-pop tunesmiths drop a gorgeous EP with guest vocals from Slowdive’s Rachel Goswell.

Screen Shot 2015-01-30 at 12.21.54 PMLondon’s Liu Bei is an indie-pop quintet with shoegaze leanings. The title-track off their Goodness EP is one of those bittersweet love songs worthy of being blasted from a boombox hoisted by John Cusack in 1989. But “Fields” boasts a gossamer cameo from Slowdive’s Rachel Goswell.

 

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