Pandora for Glass: from Hack-a-thon to Explorer Edition

Twice a year, in the spring and in the fall, everyone in the technology organization here at Pandora puts our day jobs on hold and comes together for a Hack-a-thon.  The 72-hour event culminates with employees gathering around (with keg beer) to watch each team demo their hack. Winners are awarded for Best Demo, Most Creative Idea, Best Improvement to Pandora and Best Project Not Related to Pandora.

During the Hack-a-thon this spring, one team developed a hack for Pandora on Glass. It was such a hit that we decided to show it to Google, and we’re excited to announce today’s launch of Pandora for Glass.

Pandora_GoogleGlass_Mock_FINAL_NowPlaying

Glass is smart eyewear: A lightweight frame and tiny display that rests neatly above your eyes that makes exploring and sharing the world around you faster and easier.
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Inside The Collection: Weekly Curator Picks

Artist Debuts

Ryn Weaver

Earlier this summer, unknown 21-year-old singer-songwriter Ryn Weaver uploaded a track called “OctaHate” to SoundCloud. The song became a literal overnight sensation, with over 30,000 plays on the first day and over a million in two weeks. It was produced by Michael Angelakos (Passion Pit) and co-written with British singer Charli XCX.

French Style Furs

Screen Shot 2014-08-25 at 9.23.31 AMFrench Style Furs is a brand new supergroup comprised of the LA-based soul rockers Cold War Kids‘ frontman Nathan Willet and bassist Matt Maust alongside We Barbarians drummer Nathan Warketin. Their debut album Is Exotic Bait was released on the Frenchkiss label with music inspired from 1980s proto-punk and lyrics inspired by the poetry of Trappist monk and mystic Thomas Merton.
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Inside The Collection: Trap & Twerk, Pandora keeps it Trill

If you’re addicted to sub bass, booty shakin’, doing the Miley Cyrus and bouncing to half-time hi-hats, Pandora offers three stations to customize your low-end experience. Trap, Trap Rap and TWERK each showcase a specific sound for our listeners. In a world where hip-hop and EDM fuse together to create a new sound, have you ever pondered the difference between trap and twerk? Want to know what you’ll hear on Pandora’s Trap Rap station? Our curators get to the bottom of the 808.

Let’s take a look at where trap and twerk started, then listen to where it’s going. Both styles focus on samples from the classic Roland 808 drum machine, syncopated rhythms with heavy backbeat handclaps that are influenced by Miami Bass, Southern Rap and New Orleans Bounce.

Screen Shot 2014-08-21 at 9.31.49 AMIf you like mind numbing bass, car alarms and festival decibels, Trap is for you. International producers are embracing the sounds of Atlanta to create something new. Artists like Yellow Claw, Flosstradamus, Diplo, UZ and Bro Safari have taken the original sound and connected the dots from hip-hop to EDM. Trap has fewer lyrics, mostly sampled and pitched down with a heavy electro house and dubstep influence. The beats per minute are around 70, but are produced with BPM set to 140 for that double-time feel. You’ll hear plenty of bass drops – and of course it’s best heard on a huge sound system.
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Inside The Collection: Weekly Curator Picks

Artist Debuts

The Vamps

Screen Shot 2014-08-18 at 10.36.06 AMThe Vamps are a British pop band that formed in 2012 and immediately signed to Mercury Records. They have toured as support for artists like McFly, The Wanted, Little Mix and Demi Lovato. Their debut EP Somebody To You features the charting singles “Wild Heart” and “Somebody To You,” with guest vocals by Demi Lovato.

You Me and Apollo

This Fort Collins, Colorado-based band specialize in “…stompy blues and sing along folk rock with hints of psychedelic and soul music.” Their debut album Sweet Honey was produced and engineered by Jeff Powell (Bob Dylan, Lucinda Williams, Big Star, Sharon Jones) at the famed Ardent Studios in Memphis. In addition to playing festivals like SXSW and Hangout, they have toured and supported for acts like Dr. Dog, Brandi Carlile, ZZ Ward, Third Eye Blind, DeVotchKa, Nicki Bluhm & The Gramblers and Dashboard Confessional.
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Honoring The Legacy Of Robin Williams

To be a standup comic in the San Francisco Bay Area is to live in Robin Williams’ shadow. He lived here. He came up here, performing in the legendary Purple Onion and Holy City Zoo comedy clubs. Every so often, my Facebook and Twitter feeds would light up with posts reading “ROBIN WILLIAMS IS AT MY SHOW” or “Robin Williams saw my set and told me I was funny!” or simply a photo of an open miker, beaming next to a comedy demigod who looks exactly as kind in reality as he did on the big screen in his Dead Poets Society and Good Will Hunting “inspirational teacher roles.”

Robin_WilliamsI never met Robin Williams. Not once. I never found myself standing in a room with him, and even if I had, I doubt I would have approached him. I don’t take photos with celebrities, as a rule—it always feels self-serving and weird to me, a strange visual humblebrag that my Midwestern upbringing tells me is inappropriate. And what on earth would I have said to Robin Williams? “Hey, I’m a comedian, too, sort of. I have a day job, but someday I’m going to quit, and then I’ll be a real comedian, like you.” That, too, feels gross—if I couldn’t tell Robin Williams “I’m a comedian,” full stop, with no qualifications, then I wasn’t really a comedian. I would wait. I would become a real comedian. And I would run into him some other time, later.

I thought I had more time. We all did.
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