Fall Out Boy proves once again with American Beauty/American Psycho there’s still room at the top of the charts for actual rock bands.
Sure, Fall Out Boy is now far from an actual rock band (and well removed from the rockers they once were). But they whip up a gloriously hook-laden stadium pop confection, borrowing melodies from Suzanne Vega and even reworking The Munsters’ theme!
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Former Company Of Thieves vocalist makes a name for herself as a solo artist.
Los Angeles based Genevieve swaps indie rock for alt-pop with the release of the incredibly infectious Colors (Single). Backed with distorted guitars, electronic keyboards, synths and a boom-bap beat; she sings about everyday struggles with a message of inspiration, repeatedly chanting, “Show your true colors, girl!”
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Leighton Meester is a singer-songwriter and actress. Her musical style blends elements of pop, rock, folk and country, with a focus on vocals, accompanied by acoustic and electric instrumentation. Other artists that can be heard on her station include Taylor Swift, Hozier and Miranda Lambert. She came by with musicians Jeff Trott and Ryan Pettersen and played the title track off her recently released album “Heartstrings”.
Rootsy chanteuse Brandi Carlile delivers a harmonic departure with The Eye (Single)
If Brandi Carlile’s new single is indicative of what her upcoming album The Firewatcher’s Daughter sounds like, we can expect a slight departure. This song is enveloped in timeless, three-part, vocal harmonies that give more depth to heady lyrics like, “You can dance in a hurricane/ But only if you’re standing in the eye.”
Two brothers drop hits on Mike WiLL Made-It’s Ear Drummer Records.
Slim Jimmy and Swae Lee came from Mississippi to Atlanta, got dibbs on the super producer’s beats, and Rae Sremmurd‘s SremmLife was born. In addition to Mike WiLL, Sonny Digital, Young Chop and Soundz create the perfect soundscape. The bass will make you want to hit the club with Nicki Minaj and Young Thug. Read More →
Music is at the heart of everything we do here at Pandora – and we know it’s equally as important to each of you. In honor of this year’s GRAMMY Awards, we thought it would be fun to look at your listening patterns and try to predict who will win big at this year’s awards.
Historically, you are pretty good at predicting who will win, simply based on how you listen to music throughout the year. To come up with this year’s listener predictions, we looked back at the past few years of nominees and winners, how you engaged with those songs, and applied that to this year’s class.
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Better Than Ezra is a pop/rock band from New Orleans. Their style often features both acoustic rhythm guitars and electric rock instrumentation with a subtle use of vocal harmonies. Other artists that can be heard on their station include Matchbox Twenty, The Goo Goo Dolls, and Counting Crows. They came by and played “Gonna Get Better” off their latest album All Together Now.
Sofi De La Torre
Although she hasn’t charted yet stateside, Berlin-based Spanish singer-songwriter Sofi De La Torre has already made an impression in the US, with publications like Time praising her latest single “Vermillion” as, “The gloriously gloomy song of the summer” and by Billboard as, “One of the best songs of the year.” Teaming up with German house producers Andre Crom and Chi Thanh, the remix version of “Vermillion” was recently spun by Tiesto on BBC Radio 1.
Launch a Sofi De La Torre here to hear what all the fuss is about!
Juan Wauters (his real name) is solo project of the singer for Queens-based DIY/garage band The Beets. His debut project N.A.P. North American Poetry has appeared on numerous Best Of 2014 lists and is considered by bloggers and critics as one of the year’s underrated and overlooked releases. Retaining much of The Beets punk/Beatle-esque pop influences, he incorporates personal songwriting elements in addition to Tropicalia and South American folk – which he encountered growing up in Uruguay. Read More →
Francisca Valenzuela is a Chilean-American singer-songwriter and multi-instrumentalist. Her style oscillates between dance pop and stripped down expressions of love and loss, often including a touch of humor. Other artists that can be heard on her station include Shakira, La Oreja de Van Gogh and Ximena Sarinana. She came by and played “Siempre Eres Tú” off her album Tajo Abierto.
As we celebrate what would have been Elvis Presley’s 80th birthday, it’s crucial to remember four important sentences once sung by Mojo Nixon:
“Elvis is everywhere. Elvis is everything. Elvis is everybody. Elvis is still The King.”
Maybe Nixon wasn’t aware of it at the time, but the chorus of this 1987 recording can also be juxtaposed to the four main eras of Elvis.
Elvis is everywhere.
This perfectly describes young Elvis. Memphis Elvis. In 1954 Sam Phillips rolled tape at Sun Studios of Elvis recording Arthur Crudup’s “That’s All Right (Mama).” By blending blues, honky tonk and rockabilly; Elvis changed the game. For a while it looked like teenagers and rock ‘n’ roll might just take over the world. Suddenly this young blue-eyed, pelvis-swaying sensation was everywhere. He was omnipresent. Read More →
Tallhart is a rock band from Tampa, FL. Their punk-influenced style often features electric rock instrumentation, and a subtle use of vocal harmony. Other artists that can be heard on their station include Relient K, Matchbox Twenty, and The Maine. They came by and played “Fighter” off their album We Are The Same.
DJ Premier and Royce da 5’9” combine like Voltron to bring you PRhyme, one of the hottest hip hop releases of 2014. Primo samples live licks from Adrian Younge’s jam sessions, manipulating them with his MPC and scratching skills. Hip Hop’s favorite producer paints a dark soundscape for Royce and a slew of MC’s to spit over. Common, Jay Electronica, ScHoolboy Q, Ab-Soul, Mac Miller and Dwele all represent over his beats. Cuts like “Courtesy”, “U Looz” and “You Should Know”, all bring back that classic era Hip Hop sound on PRhyme.
Our Friend And The Spiders
Montreal indie rock quartet Our Friend And The Spiders play that Pacific Northwest flavored melodic guitar-pop, but without succumbing to any of the nasal-toned affectations that bled from Built To Spill into The Shins into John Vanderslice and so forth. Singer MatMo croons in a more throaty tone with an assertive delivery that helps give these songs more muscle than the sum of their contemporaries. Special attention is paid to the rich, tonal voicing of what sounds like a vintage guitar and boutique amplifier combination, courtesy of guitarist SebRod. But it’s the vacuum tight rhythm section of bassist Pascal Sauvageau and drummer Phil Grant that gives OFATS the propulsion of a well-oiled engine. Read More →