Inside The Collection: Weekly Curator Picks 

Artist Debuts 

Sofi De La Torre

Screen Shot 2015-01-12 at 8.21.31 AMAlthough she hasn’t charted yet stateside, Berlin-based Spanish singer-songwriter Sofi De La Torre has already made an impression in the US, with publications like Time praising her latest single “Vermillion” as, “The gloriously gloomy song of the summer” and by Billboard as, “One of the best songs of the year.” Teaming up with German house producers Andre Crom and Chi Thanh, the remix version of “Vermillion” was recently spun by Tiesto on BBC Radio 1.

Launch a Sofi De La Torre here to hear what all the fuss is about!

Juan Wauters

Screen Shot 2015-01-12 at 8.24.13 AMJuan Wauters (his real name) is solo project of the singer for Queens-based DIY/garage band The Beets. His debut project N.A.P. North American Poetry has appeared on numerous Best Of 2014 lists and is considered by bloggers and critics as one of the year’s underrated and overlooked releases. Retaining much of The Beets punk/Beatle-esque pop influences, he incorporates personal songwriting elements in addition to Tropicalia and South American folk – which he encountered growing up in Uruguay.
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Hail to the King!

As we celebrate what would have been Elvis Presley’s 80th birthday, it’s crucial to remember four important sentences once sung by Mojo Nixon:

“Elvis is everywhere. Elvis is everything. Elvis is everybody. Elvis is still The King.”

Maybe Nixon wasn’t aware of it at the time, but the chorus of this 1987 recording can also be juxtaposed to the four main eras of Elvis.

Elvis is everywhere.

elvisrocknrollThis perfectly describes young Elvis. Memphis Elvis. In 1954 Sam Phillips rolled tape at Sun Studios of Elvis recording Arthur Crudup’s “That’s All Right (Mama).” By blending blues, honky tonk and rockabilly; Elvis changed the game. For a while it looked like teenagers and rock ‘n’ roll might just take over the world. Suddenly this young blue-eyed, pelvis-swaying sensation was everywhere. He was omnipresent.
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Inside The Collection: Weekly Curator Picks

Artist Debuts

PRhyme

Screen Shot 2015-01-05 at 8.29.36 AMDJ Premier and Royce da 5’9” combine like Voltron to bring you PRhyme, one of the hottest hip hop releases of 2014. Primo samples live licks from Adrian Younge’s jam sessions, manipulating them with his MPC and scratching skills. Hip Hop’s favorite producer paints a dark soundscape for Royce and a slew of MC’s to spit over. Common, Jay Electronica, ScHoolboy Q, Ab-Soul, Mac Miller and Dwele all represent over his beats. Cuts like “Courtesy”, “U Looz” and “You Should Know”, all bring back that classic era Hip Hop sound on PRhyme.

Our Friend And The Spiders

Screen Shot 2014-12-23 at 1.16.39 PMMontreal indie rock quartet Our Friend And The Spiders play that Pacific Northwest flavored melodic guitar-pop, but without succumbing to any of the nasal-toned affectations that bled from Built To Spill into The Shins into John Vanderslice and so forth. Singer MatMo croons in a more throaty tone with an assertive delivery that helps give these songs more muscle than the sum of their contemporaries. Special attention is paid to the rich, tonal voicing of what sounds like a vintage guitar and boutique amplifier combination, courtesy of guitarist SebRod. But it’s the vacuum tight rhythm section of bassist Pascal Sauvageau and drummer Phil Grant that gives OFATS the propulsion of a well-oiled engine.
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Inside The Collection: Weekly Curator Picks 

Artist Debuts

BORNS

Having just taken New York City’s CMJ festival by storm, singer-songwriter Garrett Borns (aka BØRNS) practically came out of nowhere with the release of his buzzworthy debut single, the glimmery infectious “10,000 Emerald Pools” and the release of his EP Candy, all of which was written in his treehouse home in Los Angeles. Leading off with “Electric Love”, the album mixes indie/synth pop with sugary sweet melodies blanketed in sunny West Coast ambience.

The Charlie Rogers Band

Screen Shot 2014-12-23 at 12.55.59 PMWith a name like The Charlie Rogers Band, it sounds like these folks have been in the game for as long as The Charlie Daniels Band. But their style of country is more effervescent than a freshly popped bottle of Lone Star beer. By blending the rootsy accouterments of traditional country with a studied pop songwriting style, Rogers and company have created a balance that simultaneously sounds both classic and fresh. If you’ve ever watched the television series Nashville, it’s easy to wonder why this band has yet to appear on an episode.
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