Next Wave Woman: Chelsea Wolfe

You’d be hard-pressed to find a female singer-songwriter who appeals to metalheads and folkies alike. Chelsea Wolfe’s beautifully somber songs somehow traverse both realms. Her music has been aptly described as “drone-metal-art-folk.” She melds the dark, drones of doom metal with stark piano notes and guitar arpeggios – over which she sings in a haunting tenor trill. Her own compositions aside, she can cover the 1939 folk staple “You Are My Sunshine” alongside Burzum’s 1992 Norwegian black metal dirge “Black Spell Of Destruction” while retaining her signature sound and style.

1029_Women_Leadership_ChelseaChelsea began recording herself in her father’s home studio at age nine. When she began playing live, Chelsea preferred to perform in unorthodox locations like deserted nuclear plants, cathedrals and basements. Her lauded 2010 debut album The Grime and the Glow was recorded on a vintage eight-track. Her sophomore album Apokalypsis was tracked in a proper studio, but for Chelsea’s third full-length, Unknown Rooms: A Collection of Acoustic Songs, she chose to record deep in the woods of Northern California.
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Resonance: Weekly Curator Picks

resonance_graphic_finalGucci Mane drops another trilogy from behind bars, bringing you BreakfastLunch and Dinner.

gucci-mane-breakfast-lunch-dinner-covers

Guwop is the most prolific voice of Atlanta. This series of albums
includes features like iLoveMakonnen, Quavo (of Migos), Waka Flocka Flame and Trinidad James. Recording these albums between stints behind bars and hitting the streets, Scucci keeps it G over some Mike WiLL Made-It beats. (J. Boogie)

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CURATOR’S CHOICE

Hampton Yount is more than Bearable.

Most comedians wouldn’t burn their best joke Hampton Yount20 minutes into an album, but Hampton Yount isn’t most comedians. His sophomore album is filled with unpredictable jokes that cast George Washington as a fictional character and Asperger’s as a dating technique. Bonus: Per Yount’s Twitter, his album also syncs perfectly with The Wizard of Oz. (Kelly Anneken)

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Anthony DeCurtis Chats With The Rolling Stones

In celebration of the The Rolling Stones’ ‘Zip Code’ tour, Pandora has launched a new station packed with handpicked track selections and exclusive commentary directly from the band. The interviews were conducted by award-winning author and journalist Anthony DeCurtis. In the special guest blog post below DeCurtis recounts his conversations with Mick, Keith and Ronnie in anticipation of their stateside tour. Listen to Zip Code Radio here.

A door opens in a hotel suite on Manhattan’s upper east side, and out steps Mick Jagger, characteristically full of energy. A few days before, I’d journeyed down to Soho to meet with Keith Richards, who strolled into the offices of his manager Jane Rose in an excellent mood, having just come from a long, celebratory lunch with his daughter Theodora, who turned thirty that day. Between those events, the genetically cheerful Ron Wood checked in by phone from London. All of this can mean only one thing: The Rolling Stones are going on the road again!

Rolling Stones_Brian RasicMore than fifty years ago, the Stones earned their reputation as “the greatest rock & roll band in the world,” and they still play with a ferocity that bands a third their age would envy. They’re booked stadiums for what they’re calling the Zip Code tour, but when the Stones take the stage, the bigger the venue, the bigger the impact.

“I’m hoping to turn every stadium into a club,” Keith says. “Thank God, we have Mick who can cover all the spectaculars, and the band, once we’re on stage, we feel like, ‘This is our club for the night – it’s just a big one!’”
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Resonance: Weekly Curator Picks

resonance_graphic_final

Rihanna runs the track with her new single, “Bitch Better Have My Money.”

Screen Shot 2015-04-02 at 3.32.12 PMCommanding the mic and calling all the shots, her vocals slap you as they bounce over blazing drums served up by Deputy and Kanye West. Her smoky vocal take masters a blend of singing and rapping that sounds like she’s been yelling at fools in the studio.

 

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CURATOR’S CHOICE

San Francisco’s best-kept secret unveils a beautiful, garage-pop, solo, debut album.

Screen Shot 2015-04-02 at 3.34.00 PMA diamond-in-the-rough from the Mission district’s 22nd St. music community; Sarah Bethe Nelson’s wistfully sung songs are flirty, confessional, cathartic and catchy all at once. With the Midas touch of Kelley Stoltz as producer, Fast Moving Clouds is an instant classic of lo-fi spun guitar-pop gold.

 

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