Music Monday: Weekly Curator Picks

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Oakland metal trio melts their own faces.

High On Fire album art

High On Fire gets countlessly compared to Motörhead, Celtic Frost, Slayer, etc. But their 2015 masterwork Luminiferous will change all this. From Matt Pike’s relentless fretboard wizardry to the band’s well-oiled rhythm section chugging throughout, Luminiferous is so godhead that from now on, other (worthy) bands will be compared to High On Fire. –Eric Shea

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CURATOR’S DISCOVERY

Taylor Negron lives on with UnCabaret Presents.

taylornegronIn the wake of his untimely death earlier this year, ‘90s alt-comedy showcase UnCabaret has released a compilation of beloved comedian’s Negron’s finest sets and “UnCabaret moments.” Tales include bumming cigarettes to Jude Law and Heath Ledger at an Oscar party, adventures with his childhood pet monkey and discovering a cult for models. –Kelly Anneken

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Music Monday: Weekly Curator Picks

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Grateful Dead apple falls further from the tree.

Midnight_NorthWith Scarlet Skies, Grahame Lesh (son of Phil) and Midnight North eschew expected jam-rock trappings for a more disciplined and soulful stew of modern Americana. Singer Elliott Peck comes out swinging like a tougher Nicki Bluhm on “Phoenix Motel” while the Lesh-led “Turn Around” plays like a more rocking Delaney & Bonnie. –Eric Shea

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CURATOR’S DISCOVERY

The return of the world’s only avian death metal crew!

HatebeakWith lead vocals by Waldo, a 21-year-old African grey parrot, and featuring members of Pig Destroyer, another (less literally) animal minded combo; Hatebeak’s Number Of The Beak is a brutal barrage of furiously fowl, metallic crush. The group grinds out pulverizing thrashers like “Beak Of Putrefaction” and “Hellbent For Feathers!” –Andee Connors

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Music Monday: Weekly Curator Picks

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Kacey Musgraves continues to follow her own arrow.

Kacey_MusgravesFollowing the success of Grammy-winning Same Trailer, Different Park, the country singer-songwriter pulls off another win on Pageant Material, with the tolerance-promoting sing-along “Biscuits” already generating “song of the year” buzz. She continues to find ways to assert her own convictions and individuality without sounding preachy or judgmental. And it’s a beauty! –Michelle Solomon

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CURATOR’S DISCOVERY

Leon Bridges debuts with Coming Home.

Leon_BridgesJumping onto the scene with lead single “Coming Home,” newcomer Leon Bridges’s debut is a welcome dose of classic feel-good soul that will take you right back to the ‘60s. His earnest vocals move effortlessly through the album, heavily influenced by his gospel roots and southern sensibility. –Kike Aluko

 

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Music Monday: Weekly Curator Picks

933_MusicMonday_BlogThis is how you reissue an album.

Rolling_StonesThe Rolling Stones totally get it. Sticky Fingers (Super Deluxe) comes with 23 extra songs. There’s an alternate version of “Brown Sugar” with Eric Clapton playing a mean sounding slide guitar. The Gram Parsons inspired “Wild Horses” gets the acoustic strip-down. And a live cover of “Little Queenie” boasts a bionic boogie. –Eric Shea

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CURATOR’S DISCOVERY

Hudson Mohawke Radiates Creativity on Lantern

Hudson_MohawkeScottish producer Hudson Mohawke (real name Ross Birchard) vaulted from Glasgow obscurity to Kanye West producer and, arguably, inventor of trap music. But on his second album Lantern, he doesn’t aim for hits, instead exploring jittery noise, surprising samples, and emotive vocals, delivering a remarkably assured and innovative work, aglow with inspiration and soul. –Party Ben

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