Since launching our Thumb Moments series in September, we have seen fans of Lindsey Stirling and Bush laugh, cry and cheer as they took a front row seat for a one-on-one concert experience courtesy of one of their favorite artists.
Marking our third installment with Matt Nathanson, he surprised his fans with a private performance of his new single “Headphones.” Listeners were encouraged by Matt to truly become a part of the show. Eleven callers chatted, sang backup vocals, danced… some even provided musical accompaniment, ranging from a guitar to a couple spoons. Watch the show and see the fun for yourself.
Stay tuned for more and keep sharing your ultimate “Thumb Moments” with us – use #ThumbMoments via social or in the comments below.
Last month we shared the launch of our Thumb Moments campaign with our first artist, Lindsey Stirling. Within moments of thumbing up a Lindsey Stirling song, a few listeners were surprised with a totally live, one-on-one concert via video chat by Lindsey herself.
As promised, we are back with more and this time, Bush joined in on the fun, surprising listeners across the US (seriously – callers spanned Hawaii to Florida) with a series of intimate, one-on-one mini concerts. Callers literally became a part of the experience – their images created the backdrop while Bush performed an exclusive acoustic version of their new single “The Only Way Out.”
As you might imagine, these fans were pretty excited. See for yourself:
Some years ago, I went through a low period as a long-term relationship came to an end. I was living in a tiny apartment in Paris, a city where I knew only one other person. I was broke, of course. It was winter, and my music–the whole reason I’d moved to Paris–was going nowhere. I subsisted on espresso and Gauloises cigarettes, long walks around the freezing, empty city, and Radiohead’s Kid A and OK Computer. Cliché, I’m aware, but forgive me. I was young.
My point, however, is that rather than seeking out some positive, inspiring music that could have helped shake me out of my gloom, I gravitated toward the saddest sounds I could fill my head with. And I know I’m not alone in this behavior.
There’s something about sad songs that holds a strong appeal for us as listeners. The pining vocals, the grand weeping sweep of strings, the dark shadow of the minor key and shattered glass spill of acoustic piano, they scratch some itch deep inside that the bounce and whirl of a chipper ditty can’t reach. Read More →
Imagine thumbing up a song from your favorite artist and moments later finding yourself face to face with them for a private concert. Sounds impossible, right? Well this is exactly what just happened for some Pandora listeners.
At Pandora, we constantly strive to create magic moments for our listeners by connecting them to the right music at the right time. Today, we want to share a new Pandora program that takes this connection to the next level. Within moments of thumbing up a song, we are surprising a few listeners by literally connecting them to the artist for a totally live, one-on-one concert via video chat. Read More →
A few years ago, after I completed a large, exhausting album, I stepped back and tried to get some perspective on my own work. By observing my own process, it occurred to me that I’d fallen into a pattern of how I wrote songs. It was almost always lyrics with a hint of melody first, followed by chords, and ending with the arrangement, orchestration, engineering and studio production. I felt, however, upon finishing that big album, that I’d played out the possibilities of that particular approach and more or less knew what would happen if I set out to write more songs in that same way. So I determined the songwriting element I usually focused on least of all – rhythm – and decided that for my next project, I would start there.
Collaborating with a percussionist, I built rhythm tracks and wrote music to accompany the beats, recording and producing as I went, essentially composing straight to tape. The very last thing I did was add lyrics. I effectively inverted my songwriting process and came up with extremely different sounding material. Even the types of words I used changed – fewer syllables, less ornate or metaphoric language – since they occupied such a different place in the creative process than they had before. The music I wound up making was something I never imagined I had in me.
Songwriters often vary the types of songs they create and broaden their spectrum as songwriters, simply by varying their creative process. Bob Dylan famously headed down to Nashville and worked with a completely new group of musicians to come up with Nashville Skyline. The Talking Heads sought to break down the perceived relationship of David Byrne as frontman supported by a backing band. They experimented with new techniques and expanded instrumentation to create what many consider their best album, Remain in Light. Paul Simon first split with his writing partner, Art Garfunkel, to alter his sound, then later travelled to South Africa seeking new sounds and different creative approaches to write the wildly successful album Graceland. Read More →
Twice a year, in the spring and in the fall, everyone in the technology organization here at Pandora puts our day jobs on hold and comes together for a Hack-a-thon. The 72-hour event culminates with employees gathering around (with keg beer) to watch each team demo their hack. Winners are awarded for Best Demo, Most Creative Idea, Best Improvement to Pandora and Best Project Not Related to Pandora.
During the Hack-a-thon this spring, one team developed a hack for Pandora on Glass. It was such a hit that we decided to show it to Google, and we’re excited to announce today’s launch of Pandora for Glass.
Glass is smart eyewear: A lightweight frame and tiny display that rests neatly above your eyes that makes exploring and sharing the world around you faster and easier. Read More →
Excellent songs can be made at lightning speed, with little intent, hardly any effort and no training, using a minimum of technical ability. It doesn’t matter how it was made. A good song is a good song, and sometimes all that’s needed are a couple chords, some very simple lyrics and a basic melody. But it’s not often the case that great songs come effortlessly, and even when they do, it’s usually because of something more than just blind luck or “natural” talent.
I started writing songs when I was a junior in high school. Actually, it’s more accurate to say, “I started writing song fragments” back then. I would write a riff (that was a direct rip-off of “Sunshine of Your Love” or “Black Dog”) or a chorus or pages of words that were neither good enough to pass as poetry or musical enough to cram into a verse.
This went on for a couple of years resulting in maybe a small handful of completed songs that time has generously erased. I studied Music Composition and focused on other musical practices before winding my way back to songs. When I did return, I wrote secretly for a few years, fortunately having enough insight to recognize that the songs were “not yet ready for prime time.” It took grinding my way through dozens and dozens of songs over more than a decade before I felt like I had something worth sharing publicly. Read More →
From around the middle of 2009 until late 2012, I didn’t write any songs. There were three days in the summer of 2010 where I banished myself to the basement and recorded the music for three songs, but was unable to generate any lyrics I could tolerate, so I don’t count those. In effect, I had a three-year “dry spell.” As someone who identifies as a songwriter, it was difficult to stave off an identity crisis.
The first six months or so were easy. I was busy, I’d gone through some life changes. I’d had little songless stretches before. No big deal. At the end of a year I looked back and thought, “That’s kind of strange.” By the end of year two I knew something was wrong, but there wasn’t much I could do about it. I had no songs to write, and I was getting far enough away from the process that I wasn’t sure I’d ever be able to find it again. Read More →
Last month, we announced that you could download Pandora in the Pebble app store for iOS. We’ve already seen a great response to the first “wearable” technology device that Pandora is available on, so we’re thrilled to share that the Pebble app is now available for Android smartphone users as well.
Just like on iOS, Android users can now view and change stations, thumb songs up and down, skip, play and pause tracks using your Pebble. If you already have a Pebble that is paired to your mobile device, you should get a notification that you can install the Pandora for Pebble app, or you can start the install process at any time from the Pebble Settings Page. Read More →
It happens, without fail, every time I carry an instrument in public. I’m usually at the airport. I’ll have a saxophone or a guitar strapped to my back because it’s too fragile to check underneath the plane. I ease it into the overhead bin and as I settle into my chair, the person seated next to me asks, with genuine warmth and curiosity, what type of music I play.
What type of music do I play? I’ve encountered this enough times that you would think I’d be prepared with a quick, easy answer. After all, people only ask out of interest and kindness, they are not expecting a discussion of aesthetic philosophy and music theory. I should just politely say, “rock” or “jazz” and ask them what they do. But the problem is, I (and most songwriters I know) don’t think of the music we make in terms of genre. Read More →