This weekend will mark the eighth-annual Outside Lands Music Festival, held at the beautiful Golden Gate Park in San Francisco. For those who haven’t attended the festival before, it’s a three-day event showcasing music from a variety of genres.
We’re especially excited about this year because we’ve partnered up with OSL and have created a Ranger Dave-approved festival mixtape with must-hear tracks from artists performing this year and will be on site to meet you all. Be sure to stop by our pod and strike a pose at our photo booth, nab some swag, power up your devices, and discover your next favorite song
Our very own musicologist J Boogie gave us the low-down on his picks of artists you need to see. You can also catch him on Saturday @ 1:30pm at the Heineken House.
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When I speak their name, it evokes feelings of dancing in mystical, magic fields, of firefly’s and dandelions flying in the wind…Of Monsters and Men.
The Sydney State Theatre was a flawless venue choice for the OMAM gig. With beautiful, ornate chandeliers, historic gilted walls and sweeping staircases combined with OMAM’s enchanting melodies, we felt like we were entering a fairy tale.
“Crystals” was being performed as Jackie, my fellow folk rock devotee, and I found our seats. But, alas, “King and Lionheart” got us back on our feet. We were told to go closer to the stage if we wanted to dance. Closer to the stage? We couldn’t get there fast enough as “Empire”, “Slow Life” and “Human” filled the theatre.
Jackie and I twirled our way through the crowd, until we were so close to Nanna and Ragner, we could see their guitar picks. This was just in time for a favourite of ours; “Mountain Sound”.
Here we stayed for the remainder of the performance, getting swallowed by the swaying crowd as we sang loudly out of tune to songs like “Lakehouse” and “Six Weeks”. The indie folk band didn’t seem to mind and treated us to “Dirty Paws” and “Silhouettes” for their encore, concluding with the moving, “We Sink”.
Seeing this six-piece Icelandic group live is a spiritual experience. They have the ability to convey a plethora of human emotions with their hauntingly striking vocals, rhythmic acapella and mixture of regimental drumming and brass.
Words: Cherie Brady, Ad Operations, Pandora Australia
Image: Jackie Dunfee, Ad Operations, Pandora Australia
When it comes to working out, putting in those long hours at the gym just isn’t the same without music. And let’s be honest, with winter upon us, we figured it’s about that time for some musical motivation to help burn off those hearty winter meals.
With so many options, we took a look at your favourite workout stations so far for this year, with Pop and Hip Hop Power Workout being the unanimous favourite overall. Breaking it down, Hard Rock Strength Training and Rap Strength Training came out on top for men, while Pop Fitness and Yoga Fitness stations ranked highest for women – interesting, given that Yoga came in as the top group exercise for both sexes. Read More →
Want more info? Click Here to find out more about taking Pandora along for the ride, for models available in Australia and New Zealand please contact your local dealer.
Disclaimer: NEVER let your use of a mobile device distract you from the driving task. Always drive safely, with your hands on the wheel and eyes and attention on the road.
November 17, 1966 – May 29, 1997
It started on a typical day in the office, as we log on for the day and do the standard social media checks, I notice Mötley Crüe supported by Alice Cooper announce their Final Tour, and they’re coming to Australia! CC, my hardrock work buddy, and I screech like a pair of electric guitars and exclaim; “We NEED to go!!” Tickets are bought and excited anticipation engulfs us.
The big day finally arrives and we start off with a few bevvies at a local pub, pondering what dirty music enjoyment the boys have in store for us. Will Tommy Lee ride his 360 degree Drum Coaster? Will Alice Cooper be able to stand up?
We rock up to the arena and a myriad of tattooed, pierced, hardcore Cooper and Crüe fans surround us and sweep us into the sweaty, smoky, rocking crowd. Alice Cooper is in the middle of his set, wearing his signature top hat and make up. This dude’s still got it. CC and I sing along to “Poison”, “Feed My Frankenstein” and of course, “School’s Out”.
Mr. Cooper’s set finishes and we eagerly await Vince, Tommy and Nikki to take to the stage. The arena goes pitch black, a hush falls over the crowd, an electric guitar chord goes off along with an explosion of fireworks and the boys strut onto stage singing “We are the Saints of Los Angeles” and the crowd goes wild!
They follow this with classics such as “Wild Side”, “Primal Scream” and “Same Ol’ Situation” with the audience screaming along to every single word.
The crowd continue to rock out to the Crüe’s well known tunes – “Looks that Kill”, “Smokin’ in the Boys Room” and “Shout at the Devil”. After “Don’t Go Away Mad (Just Go Away)” plays, Tommy Lee takes to “The Crucifier”, an impressive, roller coaster with his massive drum kit attached. He proceeds to do a manic drum solo, riding this roller coaster wave while turning upside down. It. Was. Crazy. Girls were screaming “Tommy, Tommy, Tommy”, hoping to catch the Casanova’s eye.
Vince, Tommy and Nikki maybe a bit grey around the edges and have a few more wrinkles but they are still definitely glam rock royalty!
The boys played a few more classics, suitably concluding the concert with “Home Sweet Home”. CC and I left feeling that we got a super dose of Mötley Crüe with a healthy side of Alice Cooper, happy that us “Girls, Girls, Girls” made their final tour.
Cherie Brady, Pandora, Sydney
To get your Mötley Crüe fix, listen on Pandora
They said today was going to be the hottest day of CMA 2015 and they were right. Word to the wise: when the weather app on your magic rectangle tells you that it’s going to be high in the 90s, make sure to stay hydrated… with water.
Good thing Darius Rucker was playing in the air-conditioned convention center on the CMA Close Up Stage. He was also doing a Q&A panel and talked about the songwriting and recording process. “Sometimes you’ll write 50 songs,” he said, “but you’ll have to pick 13.” He also humbly stated, “I truly believe that I was a singer in a cover band that got really lucky.” During a stripped-down acoustic rendition of “Alright,” some of the audience could be heard singing along. But of course it was when he and a fiddle player launched into his breakthrough cover of Old Crow Medicine Show’s “Wagon Wheel” that the entire audience lit up and joined in, singing every single lyric with him. Rucker also gave props to his influences and inspirations such as Al Green, Radney Foster, Dwight Yoakam and Miranda Lambert, whose “More Like Her” he added to his quiver of covers. Even Hootie fans were rewarded with an old-school treat when he dusted off a more countrified take on “Let Her Cry.” Read More →
Carrie Underwood’s “Blown Away,” in 2012, was the last huge chart-topper by a female country artist. Recently a radio consultant, in comparing country music to a salad, referred to male country artists as the “lettuce” and the female country artists as the “tomatoes.” Subsequently, a few of country music’s female luminaries (including Martina McBride and Jennifer Nettles) are speaking out against these remarks in an effort to put women in country music on equal footing as men, the debacle has been dubbed #TomatoGate.
Rootsy chanteuse Sunny Sweeney also offered her two cents on the matter with a screened a t-shirt depicting a cartoon image of her hoisting a salami over the text, “Sunny Sweeney – Breaking Up The Sausage Party.” When I heard she was playing CMA 2015 I made it a priority to see what she’s been up to. Read More →
Contrary to Thursday, Friday showered us in sheets of rain. It was the kind of hot summer rain that finds its way into many country songs, and most of the CMA fans seemed to welcome it. As some of the Pandora crew and I ducked under a tent, Kelsea Ballerini took the stage to an enthusiastic round of hoots and hollers from her fans. I was excited to see her live, I heard that she put on an amazing show the week before at Marathon Music Works for our Pandora Country event (she opened for Dustin Lynch and Thompson Square). I was further intrigued because of recent Taylor Swift comparisons – Ballerini also writes her own songs.
Ballerini confidently strode on stage, slung an acoustic guitar over her shoulder and sang “Yeah Boy.” Her crowd didn’t need warming up – they were instantly fervent. I paid for a cold beer and when I turned back around, the audience seemed to double in size. For a second I doubted myself but then Ballerini said, “There are so many of you! I just got word that there are over 4,000 people here right now!” And the sound of 4,000 people cheered back at her in panoramic sound. She then introduced her next number “Peter Pan” as a song about boys who didn’t want to grow up. The catchy “Dibs” got heads bobbing and the crowd sang along. But the spectacle of her set was a ‘90s mashup medley that blended Britney Spears, Christina Aguilera, ‘N Sync, Backstreet Boys and Destiny’s Child. Following that she covered an especially impassioned version of Rihanna’s “Take A Bow” as her fans chanted, “Kelsea! Kelsea!” and waved their hands in the air like some kind of country-pop tent revival. Read More →