Resonance: Weekly Curator Picks

Drake drops a bomb out of nowhere, releasing mixtape If You’re Reading This It’s Too Late before Views From the 6. 

Drake.jpgShowcasing creative production with samples from Ginuwine to Henry Krinkle, Drizzy continues to expand his sound and vibe. Singing, rapping and slurring his way to the top, Drake floats his rhymes and melodies like a relaxed NBA player warmed up and ready for the finals.

 

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CURATOR’S CHOICE

Finally! Garage-rock is dangerous again. 

Death Valley Girls.jpgYou want real deal garage-rock recorded by an actual girl gang? Look no further than Los Angeles’ Death Valley Girls. Rumors have it that there’s a hit out on the punk who stole frontwoman Bonnie Bloomgarden’s orange Fender Mustang. Electric High blends the vocal venom of Bikini Kill with the reverberated ferocity of The Makers.

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The Fundamentals Of Soul

Honoring the Fundamentals Of Soul gave us an opportunity to take you through a journey that explores the vast galaxies that comprise a thriving universe of blues, soul, hip-hop, jazz, rock and Afro-Latino music. We’ll touch on foundational star constellations and the orbiting planets of our Soul System in a new selection of stations, debuting on Pandora now, during Black History Month: http://www.pandora.com/music/fundamentals-of-soul

Click the image to explore deeper:

918_Constellation Read More →

Resonance: Weekly Curator Picks

Resonance
After his monster hit, Big Sean returns by giving thanks.

 Screen Shot 2015-02-12 at 12.12.05 AMBlessings (Single) features Drake spitting the second verse plus a leaned out hook. Listen for the remix, featuring special guest Kanye West sneaking in a final verse. Boi-1da and Vinylz create a spooky soundscape on the production with trapped out bass drops and pitched out hi hats.

 

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CURATOR’S CHOICE

Sleater-Kinney are back with No Cities To Love!

Screen Shot 2015-02-12 at 12.53.48 PMThey have grown in the last few years in projects like Quasi, Wild Flag and Stephen Malkmus & The Jicks – but they still have one foot in their punk roots. The songs remain angular, the vocals remain intense; but the guitars are crunchy and full and the compositions more layered than before.

 

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More melancholy musings from the son of Steve Earle.

Screen Shot 2015-02-12 at 12.15.47 AMJustin Townes Earle’s sixth studio album Absent Fathers is the companion piece to his preceding long-player, Single Mothers from 2014. In a somewhat similar style to that of his godfather, Townes Van Zandt, JTE has a knack for writing about people’s hardscrabble lives and dysfunctional relationships with beautifully contrasting melodies. Read More →

GRAMMY Performers Win Big

Sam Smith might have taken home the most GRAMMY hardware Sunday night, but it was the performers who struck gold with listeners.

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Who came out on top? Performer (and nominee) Brandy Clark saw the biggest boost, with a 3763% increase in station adds through Monday. Beck, a double threat as performer and winner was close behind with a 2191% increase. Read More →

Resonance: Weekly Curator Picks

Resonance

Bjork comes to terms with heartache on her deepest cut to date.

Screen Shot 2015-02-05 at 1.26.19 PMOn her latest single, the Icelandic chanteuse details the breakdown of her relationship. “Stonemilker” is a beautiful, gut wrenching, torturous requiem that nearly clocks in at seven minutes in length. The former Sugarcubes singer delivers a personal confessional that we can find solace and comfort in.

 

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CURATOR’S CHOICE

Big booming drums and swirling synths transform lush, radio-ready modern pop into something more adventurous.

Screen Shot 2015-02-05 at 1.29.37 PMDella Memoria’s Beautiful Dream is haunting, hushed, bombastic and dramatic. Emily Sholes’s gorgeous vocals glide from throaty croon to swoon-inducing soar over a moody, sometimes experimental backdrop of raucous rhythms, pulsing churn and ethereal balladry. For fans of Lorde, Phantogram.

 

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A pioneer of electronic music, Aphex Twin breaks out sparse jazzy beats.

Screen Shot 2015-02-05 at 1.35.03 PMAfter years of sparse releases, we get two in five months! The title hints at what’s inside. While Computer Controlled Acoustic Instruments Pt. 2 is reminiscent of the meditative tracks from Drukqs, what really stands out here is Alarm Will Sound’s excellent 2005 acoustic take on Aphex Twin.

 

 

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Resonance: Weekly Curator Picks

Resonance

Bjork comes to terms with heartache on her deepest cut to date.

Screen Shot 2015-02-05 at 1.26.19 PMOn her latest single, the Icelandic chanteuse details the breakdown of her relationship. “Stonemilker” is a beautiful, gut wrenching, torturous requiem that nearly clocks in at seven minutes in length. The former Sugarcubes singer delivers a personal confessional that we can find solace and comfort in.

 

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CURATOR’S CHOICE

Big booming drums and swirling synths transform lush, radio-ready modern pop into something more adventurous.

Screen Shot 2015-02-05 at 1.29.37 PMDella Memoria’s Beautiful Dream is haunting, hushed, bombastic and dramatic. Emily Sholes’s gorgeous vocals glide from throaty croon to swoon-inducing soar over a moody, sometimes experimental backdrop of raucous rhythms, pulsing churn and ethereal balladry. For fans of Lorde, Phantogram.

 

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A pioneer of electronic music, Aphex Twin breaks out sparse jazzy beats.

Screen Shot 2015-02-05 at 1.35.03 PMAfter years of sparse releases, we get two in five months! The title hints at what’s inside. While Computer Controlled Acoustic Instruments Pt. 2 is reminiscent of the meditative tracks from Drukqs, what really stands out here is Alarm Will Sound’s excellent 2005 acoustic take on Aphex Twin.

 

 

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What To Listen To On Groundhog Day

Climate experts aScreen Shot 2015-02-02 at 9.30.32 AMre speculating that Punxatuwney Phil may be snowed-in this Groundhog Day. And that’s just fine, really. Most of us working at Pandora’s Oakland office wouldn’t mind a little more winter (we could use the rain). While contemplating a rodent and his shadow, we tried to build a Groundhog Day mixtape. But it wasn’t so easy. Sure, we could play an endless loop of songs by The Groundhogs. But even the most ardent Tony McPhee fans need a break from obscure, British blues-rock.

So here’s what we did instead. We made a deep mixtape of songs from Bill Murray soundtracks. Why? Because Groundhog Day is synonymous with Bill Murray. Those unfamiliar with the 1993 romantic comedy by the same name need not worry. Bill Murray’s Soundtracks is loaded with songs and scores from movies spanning Bill Murray’s entire career. And thanks to film director/screenwriter Wes Anderson, this Screen Shot 2015-02-02 at 9.29.26 AMmixtape is much hipper than we thought it would be (Bill Murray was in seven of Anderson’s films thus far). And of course we’ve also peppered the mix with tunes from Ghostbusters, Lost In Translation, Caddyshack, Where The Buffalo Roam, Zombieland, St. Vincent and tons of others. So as we celebrate Groundhog Day, let’s take a moment to remember that Bill Murray once said, “I don’t want to be that guy mumbling into his drink at a bar.”

Resonance: Weekly Curator Picks

Resonance

It’s a rare EDM album that succeeds as a full-length, but Above & Beyond broke the mold.

Screen Shot 2015-01-29 at 10.24.46 PM

The trance trio’s experience producing and DJing for over a decade is evident on We Are All We Need. Swooshing synths intertwine with emotional pop vocals, creating an uplifting EDM experience touching on progressive house and chillstep, while remaining firmly rooted in trance.

 

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CURATOR’S CHOICE

London dream-pop tunesmiths drop a gorgeous EP with guest vocals from Slowdive’s Rachel Goswell.

Screen Shot 2015-01-30 at 12.21.54 PMLondon’s Liu Bei is an indie-pop quintet with shoegaze leanings. The title-track off their Goodness EP is one of those bittersweet love songs worthy of being blasted from a boombox hoisted by John Cusack in 1989. But “Fields” boasts a gossamer cameo from Slowdive’s Rachel Goswell.

 

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