Rootsy chanteuse Brandi Carlile delivers a harmonic departure with The Eye (Single)
If Brandi Carlile’s new single is indicative of what her upcoming album The Firewatcher’s Daughter sounds like, we can expect a slight departure. This song is enveloped in timeless, three-part, vocal harmonies that give more depth to heady lyrics like, “You can dance in a hurricane/ But only if you’re standing in the eye.”
Two brothers drop hits on Mike WiLL Made-It’s Ear Drummer Records.
Slim Jimmy and Swae Lee came from Mississippi to Atlanta, got dibbs on the super producer’s beats, and Rae Sremmurd‘s SremmLife was born. In addition to Mike WiLL, Sonny Digital, Young Chop and Soundz create the perfect soundscape. The bass will make you want to hit the club with Nicki Minaj and Young Thug. Read More →
Music is at the heart of everything we do here at Pandora – and we know it’s equally as important to each of you. In honor of this year’s GRAMMY Awards, we thought it would be fun to look at your listening patterns and try to predict who will win big at this year’s awards.
Historically, you are pretty good at predicting who will win, simply based on how you listen to music throughout the year. To come up with this year’s listener predictions, we looked back at the past few years of nominees and winners, how you engaged with those songs, and applied that to this year’s class.
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Sofi De La Torre
Although she hasn’t charted yet stateside, Berlin-based Spanish singer-songwriter Sofi De La Torre has already made an impression in the US, with publications like Time praising her latest single “Vermillion” as, “The gloriously gloomy song of the summer” and by Billboard as, “One of the best songs of the year.” Teaming up with German house producers Andre Crom and Chi Thanh, the remix version of “Vermillion” was recently spun by Tiesto on BBC Radio 1.
Launch a Sofi De La Torre here to hear what all the fuss is about!
Juan Wauters (his real name) is solo project of the singer for Queens-based DIY/garage band The Beets. His debut project N.A.P. North American Poetry has appeared on numerous Best Of 2014 lists and is considered by bloggers and critics as one of the year’s underrated and overlooked releases. Retaining much of The Beets punk/Beatle-esque pop influences, he incorporates personal songwriting elements in addition to Tropicalia and South American folk – which he encountered growing up in Uruguay. Read More →
As we celebrate what would have been Elvis Presley’s 80th birthday, it’s crucial to remember four important sentences once sung by Mojo Nixon:
“Elvis is everywhere. Elvis is everything. Elvis is everybody. Elvis is still The King.”
Maybe Nixon wasn’t aware of it at the time, but the chorus of this 1987 recording can also be juxtaposed to the four main eras of Elvis.
Elvis is everywhere.
This perfectly describes young Elvis. Memphis Elvis. In 1954 Sam Phillips rolled tape at Sun Studios of Elvis recording Arthur Crudup’s “That’s All Right (Mama).” By blending blues, honky tonk and rockabilly; Elvis changed the game. For a while it looked like teenagers and rock ‘n’ roll might just take over the world. Suddenly this young blue-eyed, pelvis-swaying sensation was everywhere. He was omnipresent. Read More →
DJ Premier and Royce da 5’9” combine like Voltron to bring you PRhyme, one of the hottest hip hop releases of 2014. Primo samples live licks from Adrian Younge’s jam sessions, manipulating them with his MPC and scratching skills. Hip Hop’s favorite producer paints a dark soundscape for Royce and a slew of MC’s to spit over. Common, Jay Electronica, ScHoolboy Q, Ab-Soul, Mac Miller and Dwele all represent over his beats. Cuts like “Courtesy”, “U Looz” and “You Should Know”, all bring back that classic era Hip Hop sound on PRhyme.
Our Friend And The Spiders
Montreal indie rock quartet Our Friend And The Spiders play that Pacific Northwest flavored melodic guitar-pop, but without succumbing to any of the nasal-toned affectations that bled from Built To Spill into The Shins into John Vanderslice and so forth. Singer MatMo croons in a more throaty tone with an assertive delivery that helps give these songs more muscle than the sum of their contemporaries. Special attention is paid to the rich, tonal voicing of what sounds like a vintage guitar and boutique amplifier combination, courtesy of guitarist SebRod. But it’s the vacuum tight rhythm section of bassist Pascal Sauvageau and drummer Phil Grant that gives OFATS the propulsion of a well-oiled engine. Read More →
Having just taken New York City’s CMJ festival by storm, singer-songwriter Garrett Borns (aka BØRNS) practically came out of nowhere with the release of his buzzworthy debut single, the glimmery infectious “10,000 Emerald Pools” and the release of his EP Candy, all of which was written in his treehouse home in Los Angeles. Leading off with “Electric Love”, the album mixes indie/synth pop with sugary sweet melodies blanketed in sunny West Coast ambience.
The Charlie Rogers Band
With a name like The Charlie Rogers Band, it sounds like these folks have been in the game for as long as The Charlie Daniels Band. But their style of country is more effervescent than a freshly popped bottle of Lone Star beer. By blending the rootsy accouterments of traditional country with a studied pop songwriting style, Rogers and company have created a balance that simultaneously sounds both classic and fresh. If you’ve ever watched the television series Nashville, it’s easy to wonder why this band has yet to appear on an episode. Read More →
What’s most memorable about your favorite music of 2014? Jog your memory by diving into one of Pandora’s many End Of Year stations. If you like the mainstream music across pop, rock, country, Christian, dance and regional Mex – then this blog is for you.
Ever wonder what the number one songs are based on your thumbs? Here’s a review of the top songs of the year on Pandora. Let’s start with some of the highlights of 2014 Top Pop:
OneRepublic’s “Counting Stars” kicked off 2014 in the number one spot, but five-and-a-half months later Katy Perry’s “Dark Horse” bumped it by a nose. She held that position for two months before two new artists that own a big piece of pop music in 2014 made their mark. Ariana Grande’s “Problem” and Iggy Azalea’s “Fancy” stayed at number one for three weeks. But don’t get too comfy Iggy, because here comes Sam the man! The week of July 24, the uplifting gospel-infused “Stay with Me” from Sam Smith settled in at number one…that is until October 22, when Meghan Trainor, a Nashville newcomer gave us arguably the most infectious song of the year with “All About That Bass.” But Jeremih’s “Don’t Tell Em,” which still holds the first place spot, quickly displaced that three weeks later. R&B influenced ballads ruled in 2014 with huge hits from John Legend, Sam Smith, Hozier and now George Ezra coming on strong. Sam Smith is an amazing solo story this year along with the mainstream success of “Latch” and “La La La” but the male singer-songwriter with unbelievable worldwide appeal is Ed Sheeran. Also, Sia is Wonder Woman! She writes great songs – “Diamonds,” “Titanium,” “Wild Ones” and man, what a voice! “Chandelier” and now the new Annie soundtrack? And of course, Taylor Swift said goodbye to country and Spotify, entering the pop realm with “Shake It Up.” Now it looks like “Blank Space” will be even bigger. Read More →
Sugary dance-pop vocalist Hannah Diamond is one of the first breakthrough artists to come out of the new British label and collective, PC Music, who hope to usher in a new roster of “future-pop” stars. Her debut commercial single “Every Night” has received accolades from Stereogum and Pitchfork. Her previous single “Pink and Blue” placed number five in Fact Magazine’s “100 Best Tracks Of The Decade So Far.”
Championed by Little Steven Van Zandt, The Connection is a Portsmouth, New Hampshire quintet specializing in jangly power-pop and melodic garage rock. Armed with bowl-cuts, Beatle-boots, skinny neckties, Chuck Taylors, Rickenbackers and Telecasters; these guys haven’t just done their homework – they’re living it. The band’s 2013 debut album Let It Rock was named after the Chuck Berry song (covered here). Let It Rock boasts 13 recordings that sound like a more functional version of The Real Kids filtered through an early Byrds inspired discipline. Read More →
Guest blogger and current Pandora Comedy Spotlight comedian Dan Cummins muses on the holidays…
Christmas stresses me the hell out. Let’s start there.
I feel like every year I end up rushing around at the last minute to buy gifts, terrified that I’ll spend way too much money on a bunch of poorly thought-out doodads everyone will just hate anyway.
I worry that my two kids Kyler and Monroe will LOVE the presents they get from their mom (my ex-wife), and that my gifts will quickly fall into the pile of undesirables which will be almost immediately placed in the bottom of a closet where they will remain until given to Goodwill in untouched, mint condition. Ugh.
I worry that my fiancé will get me a WAY better gift than I’ll get her, and I’ll be so riddled with shame and guilt that I’ll barely be able to enjoy my third helping of mashed potatoes and gravy. And I really worry that there won’t be enough mashed potatoes and gravy for me to have a third helping.
Anyways… Read More →
This last Tuesday, Pandora sent out the push notification: “Our music curators think you’ll love Hipster Holidays Radio this holiday season. Try it today!” If you’ve ever seeded or thumbed-up anything deemed cool, indie or “hip” – you received that notification. It’s really that simple.
Pandora is headquartered in a hip part of Oakland, California – which means each day, our employees walk streets considered by many to be a West Coast epicenter of hipsterdom. But this recent social conversation around the term “hipster” got us thinking more critically: what’s the history behind this word, anyway? Being the OCD music and pop-culture geeks that we are, the subject was researched! And, wouldn’t you know it, the word has a deep musical tie in.
The origin of the term “hipster” has nothing to do with boutique fixed-gear bicycles. But it pedals back to 1938 when Cab Calloway jokingly wrote The Hepster Dictionary to accompany his sheet music – it was a glossary of jive terms spoken by “hepcats” (African American jazz enthusiasts). So then “hepcat” evolved into “hipster” by the 1940s. In June of 1948, Anatole Broyard wrote a piece for Partisan Review entitled “A Portrait of the Hipster.” In it, he describes hipsters as blues and jazz informed delinquents on a quest for self-definition. Read More →