so sxsw is over and I’m back home, sitting in the living room. I’m too tired to nap – go figure. my bags and guitar are still in texas most likely, and I’m too tired to even be properly angry about that. I know I have to post some pictures and summary show notes before the memories fade too much. it was a great long weekend…
it’s been quite excellent here in austin so far. every hour at the pandora booth is surprisingly fun and also kind of intense. I don’t usually talk this much. it’s sort of like a high school reunion, but it’s better because I don’t know these people (and let’s be honest, it’s easier to go to a reunion where no one knew each other back in high school). I’m hoarse. jolly ranchers do not help for this.
Kevin Seal, one of the music analysts from the Music Genome Project, just sent in this update from the SXSW conference:
Music Analyst Seal here. Long-time listener, first-time caller. I’m here in Austin all week to shake hands, kiss babies, and hear live music. I love my job. For me, these are the five most revelatory music moments so far at this year’s SxSW:
so I was at the keynote interview yesterday with young and jonathan demme, which was ok, but I have to make a confession: I have major issues with the big boomer dinosaurs of song. I guess it’s mainly because I think they never accepted the teaching responsibility that naturally belongs to leading artists. teaching is a necessity for artists who work in less financially remunerative forms, and I say that’s a good thing. it’s good for the artists and the students/future artists, and it’s good for the art. it creates a scene, community, etc (however insular and backstabbing it might be).
Heading to San Antonio on Wednesday morning, March 15th, 2006. If you’d like to meet me for some hearty Tex-Mex food at the Taco Garage, please do. I’ll be the…