Recent Articles

Pandora Widgets for TypePad

Tonight, in partnership with SixApart, we’re rolling out a new feature that makes it really easy for you to add a list of the songs you’re discovering on Pandora, or…
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Progress

We’ve made a handful of changes tonight at Pandora. Among these are one you can just barely see, and one you can’t see at all. The first is a tiny…
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Denton, TX

For those who don’t know about Denton, its time to find out. It’s a small town about 30 minutes north of Dallas and is home to the nation’s largest, and most distinguished music program – the University of North Texas. Their ‘1-O’clock’ jazz band is world renowned, and truly the gold standard for undergraduate jazz performance.


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Dallas, Part 2

Dallas part 2
Started the afternoon hanging out with Chelsea and Tony – diehard music fans from Crystal Clear – a Dallas distributor. They focus on the local Texas sound – gave me a box full of stuff to check out. Interesting to know that virtually none of the musicians they gave me are making a living at it. Let’s hope we can start building the musician’s middle class.


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Dallas, Part 1

Wow. This was a day of love and good karma. Texas has an extraordinary music scene, period.
First, the morning.
Guided by our local guardian angel, Kim Young to whom I will be forever grateful, I spent the morning at Booker T. Washington high school. Probably the nation’s most productive music magnet school, whose alums include Erykah Badhu, Norah Jones, and countless others.


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Meetup in Denton, TX

Meetup is set for this week, Wednesday evening (3/22/2006) at 7:00pm The Flying Tomato 1226 W Hickory Street, Denton (940) 383 1111 Come by for some food, drink, music talk…
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Austin, Day 3

Coming up for air.
Spent a great evening over Texas ribs (and a string of awesome bluegrass bands) with Stuart Sullivan, owner of Wire Studios, and a veteran recording engineer. Grew up in rural Indiana, eventually gravitating to the music mecca of Austin, via Bloomington and a degree in audio recording at IU. It was a period of revolution in recording – multi-tracking arrived which completely transformed the art of making records, and suddenly elevated the role of the producer and audio engineer who’s talents could now be harnessed – instead of just placing mics for a one-take live recording. Lots of experimentation (often aided by assorted substances) as artists pushed the new medium. John Lennon sang hanging upside down from a rope, spinning around to emulate the sound of a rotating leslie amp… crazy and great.


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More from SXSW

More great thoughts from Kevin Seal at South By Southwest:
My last post went up when SxSW’s music program hit its halfway point, and it’s been a flurry of activity since then. Friday night’s big plays made for an overloaded highlight reel: Dungen (after a transatlantic flight, their drummer still managed to guide those songs with an impossibly light touch and the most subtle of ghost-strokes), the Freak Accident (squealing trumpet, stomping singalong, squiggly synth, Sharrocking guitar — Jello Biafra was standing next to me through their whole set, and he loved it too), Sharon Jones & the Dap Kings (dry, dead-sexy classic soul with a full Stax-bred horn section and a simmering rhythm section), and Neko Case (her lyrics fascinate me — no one else can describe hitting a deer with her car and have the song seep with such a disturbing combination of dread and religion and sticky sensuality).


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