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Fresh on Pandora :: Vol. 3

Welcome to this week’s Fresh on Pandora, a semi-random mix of music, new and old, that just went live. Enjoy! — Michelle S. (assistant music curator)

Music as Food Pt. 2 :: Play Listen Repeat :: Vol. 46

nutrient.jpgIf music be the food of love, play on —Shakespeare
Harmony is meant to correct any discord which may have arisen in the courses of the soul… rhythm too was given for the same reason… —Plato
It is by the Odes that a man’s mind is aroused, by the rules of ritual that his character is established, and by music that he is perfected. . . . —Confucius
The Culinary Metaphor Pt. 1: Music and Nutrition
In my previous post I wrote about using food metaphors as a kind of oblique strategy for discussing music. Let’s get more specific, to explore the method to this madness. Today’s angle: nutrition.
Music: Nourishment and Poison
The American Heritage Dictionary defines nutrition as “the process of nourishing or being nourished, especially the process by which a living organism assimilates food and uses it for growth and for replacement of tissue.”
Plato and Confucius would have liked that. For them, music existed to guide and improve human beings, and the right and wrong musics created good and bad people, respectively. Medieval musical thinkers and composers avoided the tritone (the augmented fourth interval) because many thought it to be of Satanic and therefore dangerous origin. And in the 1980’s, Tipper Gore’s PMRC based their campaign to place parental warning labels on recordings on the idea that it is necessary to “protect” listeners from certain kinds of music.


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TGIF! :: Music For Living :: Vol. 3

This week’s station: “TGIF! – Thank Goodness It’s Friday!“. It is important to celebrate the springboard of the weekend… Friday! Not only do Fridays complete our work week, they are…
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The Future (or Lack Thereof) for Bands :: Tomorrow Never Knows :: Vol. 2

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2038…. 5ally, now a teenager, asks her mainframe to reveal the author of song she just heard on her earstream. It’s the only song she’s listened to today that she inquires about. Between who wrote it, or co-created it, or mixed it, or mashed it, or [add new thing here], it’s DJ #1 who finally wins her further attention — she buys a ticket to his next concert. It’s a swim-concert…

Are You In a Band? (Zzzzzzzz)
When doing a music presentation at a public school, I asked a group of fifth graders to write down their five favorite musicians or BANDS. One of the kids wrote “Pandora” on his list. Didn’t he know that Pandora isn’t a band? Perhaps he hadn’t yet grasped that, frequently, the songs he likes are created by an actual entity/cesspool/love affair of people, ideas and equipment. Among other things. I remember the day, in a RECORD store, when I had the epiphany that you could purchase a whole LP — with 10 or 12 songs on it — as opposed to a 45 rpm record. Big revelation! Perhaps the “band” epiphany hadn’t happened for this kid yet. But what if…. what if he just doesn’t CARE about who made the music he likes? Not a big revelation. It’s become fairly standard for people to digest music without knowing, or more significantly, caring who created it.
Is There an Animal in your Band Name?


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Fresh on Pandora :: Vol. 2

Welcome to this week’s Fresh on Pandora, a semi-random mix of music, new and old, that just went live. Enjoy! — Michael (music curator)

Mashup Culture – Baile Funk :: On the One :: Vol. 5

baile-funk-crop.jpgBaile funk, aka funk carioca or bailes funk, is a good example of how dance music conventions can be — and often are — shaped by the people and for the people. The DJ doesn’t necessarily define the sound, but the DJ does nurture it, develop it and mash the sound up with the contributions of other cultures that share similar experiences. In this case, the Baile funk experience was using the spirit of music and dance to rise above the poverty and oppression of the ghetto.
The term baile funk was used originally to describe a type of dance party that started happening in the favelas (ghettos) of Rio in the 70’s. Funk, r&b, and soul music being produced by American artists like George Clinton, James Brown, Curtis Mayfield, Marvin Gaye and Isaac Hayes had a strong voice with the people who populated the favelas. This music not only had relevant social messages, but grooves that were explicitly crafted for dancing.


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