Concert: Laura Reed & Deep Pocket, "Don't Go"
Caught live in Atlanta, here is "Don't Go" by Laura Reed & Deep Pocket. For such a nice lady, Ms. Reed also plays a mean harmonica. In this one, though, it's more about the singing and the fathoms-deep R&B band groove. Here is LRDP's artist profile on Pandora.
The harrowing tale of Tricky's childbirth. His mother's childbirth, that is.
Frenetic, playful, propulsive, and NEW in a way that much rock is not.
A squirrelly song from Milk Man, starring Greg Saunier.
A spasm of sarcasm by the English 'gangsta folk' purveyor.
John Donne fans, roll up! Dust off the poetry volumes for this one, and look sharp.
Neo-jam band roots music about the Great White North.
New Monsoon's deep baritone takes on a tale of crime and false accusation.
How often do hear accordion in the discoteca? Kinky wants to change that.
The Prince-inspired spelling supports the case that this is a lubricated jackhammer of futuristic guitar electronica.
A heavy, Tolkien-esque rock thump about theophony and the harmony of the spheres.
Conrad Keely channels Shane MacGowan on this Irish-themed noise waltz.
A raucous, distorted, giddily optimistic song.
Noisy, epic, grand large-canvas rock.
Edgy, foul-mouthed L.A. rap that is unafraid to get its hands soiled.
If there's any chance you'd be offended, you might be offended by this one.
Headnodic's inescapable bass hook driving a surging battle cry.
The cheeriest anti-materialist screed you've ever heard.
A thumping, intricate love song about love... that is, about loving love.
The audience at the Mezzanine went wild for Wale's raging tribute to Washington DC.
This one... goes out... to the ladies in the house...
It's infrequent that we describe a hip hop song as "pretty," but this track from The Mixtape About Nothing is just that.
The mix of Fishbone's adrenalized ska-punk with dark lyrics about domestic disputes gives "Ma and Pa" an unmistakable identity.
A gospel-inflected soul workout from Norwood Fisher, Angelo Moore and the other men of Fishbone.
A modern update on Curtis Mayfield's cautionary tale about the dangers of chemical overload.
Darkly fatalistic humor, political commentary, and sheer hip-quivering joy have rarely sat together so comfortably.
GDB's rollicking take on barrelhouse piano and early rock and roll.
The anthem of the Civil Rights movement becomes an elegiac jazz tone-poem.
Inspirations: the Big Easy, mariachi, Screamin' Jay Hawkins, and a simmering sauce.
An upbeat toetapper about a dead-end job.
One part "St. James Infirmary," one part molasses-drenched character sketch.
The first song the Mumlers ever recorded, written about a sketchy San Jose corner.
You can hear why this song became a hugely successful single, with its immediacy and physicality.
Super-fast bumblebee guitar fuels this pogo party.
Spastic energy, organs, and catchier than strep throat.
Nothing says indie pop like hand-sewn sweaters.
Delaware's finest pen an ode to Janeane Garofalo.
Not a duet with Soulja Boy Tellem, though that would be rad.
New Mexico is more of a landing pad than Washington State, but Say Hi begs to differ.
Hayes' breathtaking, unique voice brings to mind Nina Simone and Jeff Buckley.
A powerful sigil lends an air of mystery and otherworldly mystique to this helping of Americana.
Southern charm and odd voodoo hucksterism meet in an unlikely singalong.
Great American songwriting, timeless and direct.
This time we look into the club's ability to pack dozens of acts in during a festival like CMJ.
A look at New York City's haven for challenging modern music, shot during CMJ when
Sizzling feminist soul, fronted by shouter Jillian Iva.
A rebuke of the Hollywood lifestyle by Jillian, Becky and Kelly of Von Iva.
A rare moment of repose and shimmer for these brash women.
A Japanese-language pop song that starts sweet and gradually ratchets up the tension and aggression.
Chopped-up hip hop with intense subdivisions and manipulation.
Experimental DJ sets mashing up crunk and hip hop.
The sardonic, Dylanesque, sharp wordplay of Fred's finest.
Gorgeous vocal counterpoint, slide guitar, and a passionate lyricism seldom found in indie rock.
A Frankensteinian monster of a song -- rather, two songs fused together.
Who the plum is Dr. Vitus, and why is he sitting on my roof?
One girl, four prom dates = a recipe for ribald trouble!
'Tis a sailor's song! A sea shanty, mateys!
Never has the word "slut" sounded so strangely sweet.
A kiss-off song in the grand tradition. Don't let the door hit you on the way out, eh.
Comments
Hello...Laura "U have a lot of "soul in your body....my friend "Kevin Seal turn me on to you...take care
Posted by: Walter Earl at December 6, 2008 04:37 PM
Laura Reed and Deep Pocket. Wow. That woman has a voice like a volcano. She erupes upon an audience and leaves a trail of fire. Background vocals and fine musicians make this band something to watch. There's something wrong with the music industry if we don't start hearing this name over and over and over again...
Posted by: Diana Butler - Peck at December 15, 2008 05:29 PM
I have seen these guys perform well over a dozen times. GO SEE THEM!!!! The experience as a whole is nothing short of awe inspiring to say the very least. They are also supremely kind folks that do quite enjoy what they do!! Don't miss LRDP if and when they make it close by!!!
Kind vibes,
:o)
Posted by: That Big Guy Over There... at December 24, 2008 09:51 PM
Loved this song...I was reminded of Janis Joplin...with a sweeter voice. Excellent backup singer...the whole band is great. Would love to see you in concert!
Posted by: Laurel at January 16, 2009 04:21 PM
High Energy, but the background singer is waaayyyy background.
Posted by: Suite B at January 31, 2009 06:44 AM
You definitely held my attention with this song.
Posted by: Bert at March 16, 2009 04:34 PM
I really like the song the lead singer inspires me.Great song !
Posted by: Pat at April 4, 2009 09:28 PM
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